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I know too many blond or red haired blue eyed Italians (Northern) to dismiss RD as an Italian.
I didn't mean it that way. :rofl:
I meant that he couldn't mimic their mannerisms or lingo in any way that was believeable.
I know too many blond or red haired blue eyed Italians (Northern) to dismiss RD as an Italian.
We're showing "It's A Mad Mad Mad Mad World" as our annual summer-solstice special a week from tomorrow, and I just finished previewing it. This is one of those pictures that can only be properly appreciated on the Big Screen, so if anyone's up our way next week, come see it.
Watching this film for the first time in several years, I noticed how much of it was shot on location -- and for the first time on the Big Screen, it struck me how much detail of everyday life in 1963 could be seen containing leftovers from the Era -- you'll see wide-brimmed hats on some of the characters, the occasional candlestick or 202-style telephone, every now and then a 40s-vintage car (Phil Silvers' con-man character drives a dingy 1947 Ford, the sort of thing you'd find for a hundred dollars on any used car lot of the time.) Not at all the glossy Mad Men image of the late-JFK era, which makes a film like this that much more valuable in documenting how people really looked and lived in the time shown.
Those who wonder what kind of panty girdle Ethel Merman wears will have several opportunities to identify it -- I'll leave that to them, however.
We're showing "It's A Mad Mad Mad Mad World" as our annual summer-solstice special a week from tomorrow, and I just finished previewing it. This is one of those pictures that can only be properly appreciated on the Big Screen, so if anyone's up our way next week, come see it.
Watching this film for the first time in several years, I noticed how much of it was shot on location -- and for the first time on the Big Screen, it struck me how much detail of everyday life in 1963 could be seen containing leftovers from the Era -- you'll see wide-brimmed hats on some of the characters, the occasional candlestick or 202-style telephone, every now and then a 40s-vintage car (Phil Silvers' con-man character drives a dingy 1947 Ford, the sort of thing you'd find for a hundred dollars on any used car lot of the time.) Not at all the glossy Mad Men image of the late-JFK era, which makes a film like this that much more valuable in documenting how people really looked and lived in the time shown.
Those who wonder what kind of panty girdle Ethel Merman wears will have several opportunities to identify it -- I'll leave that to them, however.
A lot of that was how it used to be out here until the hippies started showing up in droves.:eusa_doh:
Of course my favorite seen is the Beech 18 flying through the billboard! The late Frank Tallman did the honors at almost 200mph and with inches to spare. They set the billboard up at the end of the runway so he could immediatly land. Good thing to, some one substituted the balsa wood for a really tough cloth, the only thing that saved Frank was a salvaged bullet proof wind screen they bolted inside the cockpit. The plane was junked! [video=youtube;WlC1Fboq5vI]http://www.youtube.com/watch?v=WlC1Fboq5vI[/video]We're showing "It's A Mad Mad Mad Mad World" as our annual summer-solstice special a week from tomorrow, and I just finished previewing it. This is one of those pictures that can only be properly appreciated on the Big Screen, so if anyone's up our way next week, come see it.
I saw Moonrise Kingdom last night. The way they tell the story is so unique. Clever, witty and exalts the joy of childhood! I would definitley recomend. Also great if you like 60's styling.
India
x
All Through the Night (1941) on TCM. Bogart vs. Nazis. Espionage, mystery, murder, and humor. A great supporting cast. Going to have to watch it again when there aren't so many interruptions.
I watched it as well this afternoon, great little movie.