Thanks for sharing the story-
Ah, I recognise the guy, he has been photographed by the sartorialist I think.
I had saved a few photos of him in the past, like his outfits.
Isn't that a bit much?
People juggle with their friends and acquaintances perceptions of tact and etiquette daily, even without this type of nitpicking.
I say, substance is more important than form in communication.
I suppose it would look silly between two 1940s extremely wide peak lapels on a db suit.
Between two slim lapels, you have a clean, serious look.
The guy in the film has a slightly quirky contrast going on with medium lapels and slim tie, which works for me (though the jacket appears too big)...
A couple more:
I think that this shows that the rule that the tie width needs to match the lapel width needs to be taken with a grain of salt. The tie can be visually just a dividing line.
Glad you guys like it.
Yes, Werner Herzog is my favourite director!
Heart of glass is actually painful to watch, what with all the townsfolk going crazy and talking nonsense,
but has some magical moments, and is of course beautifully shot.
The original owner would have been the German equivalent of the guys immortalised by 'The wild one'.
There aren't many photos of 1930s-1950s German motorcyclists out there, has anyone seen any?
I've been looking for a good cap but did not want to spend much, and wasn't having much luck finding what I wanted.
In the lower price ranges you commonly get things like stiff peaks, completely stitched down and indistinguishable from the brim.
This is bad in my opinion because it gives the cap...
Look at how wonderfully cut those trousers are.
Minimalistic, boxy suit. Not normally a fan of those features, but this one looks superb on Jean Marais. Then, what wouldn't? He was clearly a man with very striking features.
Hope you enjoy the photos.
Just watched a superb french movie: Orpheus from 1950. I thoroughly recommend it.
As far as clothes are concerned, I think there are some treasures in that department also:
Lots of beatniky outfits, some make me think of late 1950s/early 1960s rather than 1950, very casual and 'anything goes'...
That is really crazy, in how it combines the modern utilitarianism of the snap pockets and cafe racer throat tab, with the ancient ornamentation of those buttons and epaulettes.
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