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Miss Crisplock said:PS> I don't play guitar, but I still don't understand how you make it sound so BAD.
:eusa_clap :eusa_clap :eusa_clap --one word Hippies.
Regards,
J
Miss Crisplock said:PS> I don't play guitar, but I still don't understand how you make it sound so BAD.
jamespowers said::eusa_clap :eusa_clap :eusa_clap --one word Hippies.
Regards,
J
carebear said:That's "damn dirty hippies", James.
Three words.
jamespowers said:I can agree with that but I might put stinky in there some place if we want to get all the adjectives right.
Regards,
J
carebear said:"Stinky" is implicit in "dirty".
jamespowers said:True but it is still not quantifiable enough.
Dirty and stinky tend to get at the core of it.
Regards,
J
carebear said:Throwing in "stinky" ruins the beauty of the phrase.
Miss Crisplock said:Latin masses are ... better. Much better.
clevispin said:Another positive aspect of the traditional missal as it is celebrated today is the discipline of the rite. The rubrics are dense and precise and are directly associated with ideas. The new missal is less rubrically inclined and therefore more broad and open to interpretation. Not only does this tend to be boring but it also gives rise to liturgical abuses and confusion.
There is also a very big experiential differential between a high mass and a low. The high has 3 clerics and numerous other folk in the sanctuary while the low has just one priest and an alterboy or two. The high is sung and the music can be awesome - especially if the place has good accoustics. The low mass is predominantly silent while the high has a very grand tone. Each has its benefits.
The traditional missal is half a millenium in developement and over a thousand years in practice. The newer missal was completely reformed in a matter of a few years - during the 1960s at that. Fedora vs foam-front ball cap.
m
clevispin said:The architecture is certainly important and one can argue for years as to what arrangement is most fitting. Churches were being designed into the early sixties tho with the traditional rites in mind. There are quite "modern" churches that have designed since the 30s and accomodated the ancient rite arguably just as well as a neo-gothic space built in the 1920s. Corbusier himself built churches before Vatican II. I don't think style tho is so critical. What makes a good town - Rome, Paris etc. is not so much the styles of individual elements but rather the overall arrangement of streets, squares, etc. If you have the basics then everything alse can be accomodated.
I've seen several examples of vertically oriented churches converted to the more horizontal model. What most of us consider typologically sacred space was changed into "auditoreum" type space. This may be more fitting for some protestant services but it is very un-Catholic in my opinion. There is the same culture war blazing in the church today that is occuring in society overall. I think it is more widespread today than it has been for hundreds of years prior and the aspects of liturgy and architecture are just part of the arguement. Liturgy however is a public expression of belief and so much hinges upon it.
m
jamespowers said:Ah yes, the auditoreum. That is my pet peeve. No saints, no art, no stations of the cross---just bare walls. It could well serve as a gymnasium after the mass. Clearly a case of not even getting the basics right. :eusa_doh:
Regards,
J
carebear said:My church has met in an actual gymnasium for most of its existence. First in the multi-purpose room of our original, built to spec, campus and then in a local high school's gym after we outgrew our own. Now for the first time we have a new building and a real sanctuary.
I grew up in the Presbyterian Church, in one of the older chuches in town. We had actual bells and a big stained glass window. We had an (electrical) pipe organ. Wood pews and cranberry carpet. Stand to sing, sit to listen, stand to sing again. Sung a recessional as the pastors walked out.
I thus grew up appreciating solemnity and ceremony in a service. You are surrounded by the history and depth of the faith.
Miss Crisplock said:The last novus ordo mass I went to had an oval seating pattern with a dinning room table and a cheneal (sp?) throw. There was a very large cucifix above the entrance door of Christ dead. It is one of the new "Christ Defeated" crucifixes. No kneeling was allowed. Or praying, presumably.
Miss Crisplock said:Er, I'm no theologian, but I thought all crucifixes had Christ on them. If they didn't they were crosses. Not to put too fine a point on it, but after he had risen, wouldn't he be gone?