Daniel Riser
A-List Customer
- Messages
- 349
- Location
- 51st State
Magnoli is Indy Magnoli from COW. He has posted on this board before. He's a great guy with quite a legacy in the Indiana Jones prop collecting world.
I think the problem with these suits aren't just the "thirties details" but the actual construction. There is a tailoring issue, the fabric has a lot to do with the drape but so does the cut.
And regarding the "Chinatown" reference I think I can take the liberty to say that Magnoli wasn't determined to make a 100% accurate replica of the Chinatown suit, it was simply an "inspired by" piece just like the "washington" double breasted is inspired by the Raiders of the Lost Ark suit in the end of the film.
Marc makes an interesting point about Hollywood costuming. Some filmmakers were determined to illustrate the period precisely as it was, and others allow the details to fall by the wayside in the name of modern interpretation, the filmmaker in me would love to make a film incorporating 100% vintage, but the historian in me would say let Armani give his take on the thirties and preserve the vintage stuff... which is a symbol of our history.
When I see a double breasted suit I think of the President that led this country out of the great depression. When I see a shiny top hat I think of Fred Astaire and the symbol of culture that was present in entertainment... back when it was cool to tap dance and you had to be a one man talent show to get into the business. Somehow blonde hair and lack of inhibitions are counted as "talent" today.
Our history in connected to iconoclasm. The Panama Canal, the Ford model T and... vintage clothing. So go ahead and throw buckets of fake blood on history, put bullet holes in history, slam history against brick walls twenty takes per shot and another thing... "ahh forget it (guys) it's Chinatown."
I think the problem with these suits aren't just the "thirties details" but the actual construction. There is a tailoring issue, the fabric has a lot to do with the drape but so does the cut.
And regarding the "Chinatown" reference I think I can take the liberty to say that Magnoli wasn't determined to make a 100% accurate replica of the Chinatown suit, it was simply an "inspired by" piece just like the "washington" double breasted is inspired by the Raiders of the Lost Ark suit in the end of the film.
Marc makes an interesting point about Hollywood costuming. Some filmmakers were determined to illustrate the period precisely as it was, and others allow the details to fall by the wayside in the name of modern interpretation, the filmmaker in me would love to make a film incorporating 100% vintage, but the historian in me would say let Armani give his take on the thirties and preserve the vintage stuff... which is a symbol of our history.
When I see a double breasted suit I think of the President that led this country out of the great depression. When I see a shiny top hat I think of Fred Astaire and the symbol of culture that was present in entertainment... back when it was cool to tap dance and you had to be a one man talent show to get into the business. Somehow blonde hair and lack of inhibitions are counted as "talent" today.
Our history in connected to iconoclasm. The Panama Canal, the Ford model T and... vintage clothing. So go ahead and throw buckets of fake blood on history, put bullet holes in history, slam history against brick walls twenty takes per shot and another thing... "ahh forget it (guys) it's Chinatown."