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One of my favorite films is "Key Largo." I like the entire style of the film, from the clothes, to the directing, to the sets.
I have spent quite a bit of time in The Florida Keys, so this film always reminds me of the feeling of lands' end one gets while there, but more so in those days when it was truly remote.
One of the things I like about the film, and many classic films in general, is that it feels like a play. Indeed, it was inspired by a play. The majority of the film is set in a hotel. Few modern films take this approach, though "Reservoir Dogs" springs to mind.
The best part of this film, for me, is Edward G. Robinson. He is at his bulldog best in this film, barking out his lines with a sardonic sneer. He is so good, in fact, that Bogart looks tame by comparison; Bogart knew how to play it cool and allow a good actor to make you look better. The sad thing is that is was very rare to see two great actors of Robinson's and Bogart's stature in a film together.
Here are some pictures of the clothes.
Here is a fellow who is prepared for anything; braces and a belt! I also like how much his Panama Fedora looks like mine, or rather how much mine looks like his:
A vintage Guayabera:
A very interesting long single-breasted jacket with peaked lapels:
The primordial "Tony Soprano:"
Quite the bold trench coat:
Does anyone else share my passion for this film? -Any insights or criticisms?
I have spent quite a bit of time in The Florida Keys, so this film always reminds me of the feeling of lands' end one gets while there, but more so in those days when it was truly remote.
One of the things I like about the film, and many classic films in general, is that it feels like a play. Indeed, it was inspired by a play. The majority of the film is set in a hotel. Few modern films take this approach, though "Reservoir Dogs" springs to mind.
The best part of this film, for me, is Edward G. Robinson. He is at his bulldog best in this film, barking out his lines with a sardonic sneer. He is so good, in fact, that Bogart looks tame by comparison; Bogart knew how to play it cool and allow a good actor to make you look better. The sad thing is that is was very rare to see two great actors of Robinson's and Bogart's stature in a film together.
Here are some pictures of the clothes.
Here is a fellow who is prepared for anything; braces and a belt! I also like how much his Panama Fedora looks like mine, or rather how much mine looks like his:
A vintage Guayabera:
A very interesting long single-breasted jacket with peaked lapels:
The primordial "Tony Soprano:"
Quite the bold trench coat:
Does anyone else share my passion for this film? -Any insights or criticisms?