mdove
Familiar Face
- Messages
- 65
- Location
- United States
My daughter used to work for Goddwill here in the states. She moved to Tanzania, Africa. She was telling us she say some of her Goodwill rejects when she was in Tanzania.
Gene, the Goodwill shops in my in of town never have anything worth looking at when I swing thru. An I live in the high end side of town.
A fair point... if you can locate the small shops – off the beaten track and for fringe charities – and are willing to patrol them regularly, you will turn up the odd gem; there's one near me I pop into most weekends, and sometimes have a quick chat with the old lad who runs it. I've found stuff in there (records, furniture and some paintings).I disagree that charity shops aren't worth bothering with. Whilst most of the larger chains of charity shops have very little worth looking at, some of the smaller charities can be very good. Those are the ones I prefer to check out. I recently picked up a 1950 tailor-made double-breasted dinner jacket for just £3. A week later I found a perfect condition 1960s overcoat for £4 in the same shop.
I think it is still possible to find good stuff (although I never expect to find anything pre-1950 - except maybe ties) if one is dedicated and keep looking on a regular basis. But I would agree that if you just drop into charity shops irregularly, there isn't much hope of finding anything worthwhile.
Ha ha, indeed!Now, if only we could get the best of their repro stuff over here at a price that was in any way affordable..... sigh.....
I agree, there's something quite sad about instruments not being played and enjoyed. Specific individual items, maybe, I can see the point of keeping them very carefully stored (Elvis' Martin, for instance), but otherwise, such a shame. To be honest, though, I personally don't believe vintage electric guitars are even all that either. Both Fender and Gibson, to name but two, are perfectly capable of turning out just as good an instrument now as back when - and with much greater consistency, too.
I have to confess that I don't know too much about electric guitars. Me, I've been a strictly acoustic man for almost twenty years now. I've had the chance to (very carefully) play a pre-war Martin D-28 herringbone a number of years ago and it was a truly amazing experience. A world apart from newer Martin models. Wartime Martins are, of course a different matter altogether. Due to wartime restrictions no steel rods were used for the necks. Today most of those guitars sport some sort of banana fretboard...
I think I would rather see a classic guitar in a climatised cabinet that smashed up on stage by some know-nothing punk-ass garage band who are only out to get chicks