filmnoirphotos
One of the Regulars
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Feraud said:This topic begs the question:
Is a remake good, bad or indifferent for an original film?
I can understand a director wanting a shot at a classic film when he/she truly believes he/she can bring something significant to the table - read: better scripting, casting, cinematography, etc. But.....come on, give me a break. Remake after remake, or making a telesvision show into a motion picture. It has nothing to do with creating a better vision or telling a more defining story, only capitalizing on a proven product Cassablanca; read sales at the box office, and more importantly, those Bewitched lunch boxes, and Batman action figures and jockey shorts.
In my opinion, the 'mainstream' motion picture industry of today has little resemblence to the 'golden age of film' studios we so admire, and CANNOT be used interchangably in any intellegent conversation. Today, to create is secondary, to sell opening weekend is the all important.
Also, in my humble opinion, Hollywood is now running scared and scrambling to stay on top of the world motion picture industry, which, obviously, it is not. With European, Middle Eastern and particularly Eastern Pacific films / animated features overwhelming the US video/DVD market, Hollywood is finding it pretty difficult, if not impossible to compete. Sadly, rather than going for quality productions, they are panicing and going with major splash empty headed pictures, relying upon flashy marketing to stir interest and get those dollars into the box office opening weekend. After which, the films peter out in the video/DVD sales.
Truly depressing.....