Did you get one with or without a leather headband?...
...For the reply a blues and coffee hit...
Ok. I was leaning towards without as well, I liked the easier fitting. Does anyone have the 150 Elósegui Edición Limitada? How does t compare to a super lujo?
I can say that the "150" is the best beret I have ever owned -- bar none! (And I own 'em all!) eace:
...Although I am eagerly awaiting the release of the new "top contender" as seen in Post #765 of this thread.
The Super Lujo´s wool ist thicker, the whole beret much stiffer.
150 anos is not so warm.
The really big ones are only available as Super Lujo.
Hello,
Does anyone happen to have a headshot wearing a Algodon Plato Grande? It's summer here in Oz and a cotton beret would I think do the trick.
Thanks Daan, The Grande it is, all I have to do now is decide between the green and the cream.
Hi Kreissaege, good to see you here again! Interesting observation regarding warmth of the Limited Edition, but allow me to disagree with you: although the Limited edition is lighter in weight, the quality of the 17 micron Australian merino wool fibers provide much better insulation than the "standard" merino wool used in the Super Lujo models.
Looking at Dann’s great website, it appears many chaps wear their berets more or less all day, adding character to them as they go along.
So how long do they endure, meaning the berets not the wearers? I’m thinking of those traditional berets without headbands, in which wool meets flesh.
I seem to recall reading that one doesn’t wash the felt. So what gives with the inevitable accumulation of sweat, grime, oils etc. from one’s forehead? This becomes an excuse for new beret each year or so? Grab and toothbrush and Woolite, shhhh? Or, never mind – nobody should be looking inside your beret to begin with.
I’m guessing from my Panama hat days that this is one reason behind headbands. Google seems to support that point of view with its registry of a half-dozen U.S. hat/sweatband patent applications, including one in 1902 from Charles Levi Johnson. A partial quote, which can be read to bear upon my question above:
“My invention relates to sweat-bands for hats and caps; and my object is to obtain as a new article of manufacture a sweat-band made of a non-absorbent material and so attached to the brim of the hat as to afford ample ventilation for the head.
“The comforts and healthful benefits of a ventilated hat have long ago become well known; but the material from which the sweat-band was made has not heretofore had the attention which it requires. If constructed of absorbent material, it soon becomes impregnated with the perspiration and excrement of the scalp, giving to the sweat-band an unclean ofiensive (sic) appearance and rendering the hat unfit for use from a hygienic point of view until the old soiled sweat-band has been removed and replaced by a clean one.”
Daan (excuse my earlier misspelling): Thank you for the informative, convincing and entertaining reply. And fair point about it being an American, of course, to raise such a question. Caught.
I'm still curious about the berets in some of these great photos you post. I know how long it takes those fellows to get faces as wrinkled as dried apples. But how long do you suppose those beat-up, character-rich berets have been with them?
Cheers
I have regularly mentioned the Basco Roma here on the Fedora Lounge, to me one of the most comfortable berets ever! From literature and personal anecdotes, I know it really was the "popular workers hat", as it if called in Italian (or "Basco Popolare Operaio Uomo"), but so far found it hard to find good evidence of it, apart from a few photographs here and there.
Last weekend I watched the movie "The Wolf's Mouth", (or "La Bocca del Lupo"), a 2009 biographical drama/documentary film written and directed by Pietro Marcello. It premièred at the 2009 Torino Film Festival in Turin, and won the FIPRESCI Prize for 'Best Film'. It follows an Italian man named Vincenzo Motta (also known as Enzo) who is serving a long sentence in a Genoa prison. He meets and falls in love with a transsexual woman named Mary Monaco who promises to wait for Enzo when she gets out of prison. When she is released, Mary finds a home for them to share, but in the meantime, she becomes addicted to heroin. Between scenes, there are fragments of life in 1950's Genoa, a pretty grim, raw showing of industry and factory workers and, indeed, many of them wearing Basco Roma's!
[video=youtube;hYbcZ6rY_CM]http://www.youtube.com/watch?v=hYbcZ6rY_CM[/video]
Hard to get the right fragment through YouTube, but on this clip you'll see part of the scene (at 1:37).