Fletch
I'll Lock Up
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- Iowa - The Land That Stuff Forgot
Another thought, after watching a modern-day retro movie: Sometimes authenticity doesn't work. Not for Lizzie's reason - buttery-taste tastes more like butter than butter - but because it doesn't do a job.
Look at extras vs. featured players in movies set in the past. If the budget's decent, you'll see extra who fit the period better than the main players. You see, the leads have to appeal to people today - as men, as women, as lovers or heroes or heroines. And those roles change, along with the looks and the meanings of the looks.
You can't always be subtle in a drama or comedy. For one thing, you have to satisfy producers and executives who don't know and don't care, but will be righteously teed off if the leading man has a greaseball brilliantine 'do or the femme fatale looks like an over-corseted old maid.
Look at extras vs. featured players in movies set in the past. If the budget's decent, you'll see extra who fit the period better than the main players. You see, the leads have to appeal to people today - as men, as women, as lovers or heroes or heroines. And those roles change, along with the looks and the meanings of the looks.
You can't always be subtle in a drama or comedy. For one thing, you have to satisfy producers and executives who don't know and don't care, but will be righteously teed off if the leading man has a greaseball brilliantine 'do or the femme fatale looks like an over-corseted old maid.