Adman256
Familiar Face
- Messages
- 79
One sec… ok I’m ready
View attachment 810517 Well said. Your a genius!
One sec… ok I’m ready
View attachment 810517 Well said. Your a genius!
https://www.thefedoralounge.com/threads/new-member-to-the-hat-forum.87263/Hi guys,
I'm new here. Is there some kind of introduction thread? Haven't fouind one yet...maybe I'm blind.
Cheers!
It was about 14 years ago.Umm…. Send me the contact info lol
I have restored Borsalino hats from the 1930's and 1940's. They were very much mass produced hats. But the level of artistry/craftmanship on the sewing was staggeringly good. I could live 3 lifetimes as a hatter and not approach that level of beauty in my stitching. Also, the workers who curled the brims, pencil and D'Orsay, were the top of the food chain in production. They were often the highest paid workers on the line. That is pretty much all they did was curl brims so they became very very good at it. Back in that day mass produced was not the pejorative that it is today.What has gone unsaid is it's not just felt quality. It's also the overall quality of workmanship. I've seen many on here decry the quality of mass produced hats. While that may be true for most contemporary hat makers, it wasn't always the case.
There was a time when Stetson, Dobbs, Mallory, and even smaller hatters turned out fedoras of high quality and master workmanship on a regular basis. By the millions in the case of the larger companies and the thousands by others. They employed master finishers who had their craft down to a science. Everything was better.
I love my customs, but even they don't have the details something like this Stetson Imperial quality of Alan's has.
Post in thread 'What Hat Are You Wearing Today ?' https://www.thefedoralounge.com/threads/what-hat-are-you-wearing-today.94860/post-3271024
That's a stunning late 30s early 40s mass produced hat. You just can't get that today.
You're welcome and welcome in.@jeffgarf thank you!
Don’t think so - this worksHi guys,
I'm new here. Is there some kind of introduction thread? Haven't fouind one yet...maybe I'm blind.
Cheers!
I wonder if this is the consensus of the forum? Say, compared to Optimo or Gannon or Fawcett or Penman and other top custom makers, are the hats of yesteryear truly vastly superior?
I'll play devil's advocate (and you'll find this same argument on the other threads as well, but it's worth repeating):
I spent a number of years collecting vintage hats. I absolutely love them. But I rarely wear them anymore.
I like to wear a hat every day, all day, take it off when I sleep and put it back on the next day. I work hard in my hats, and I play hard in them, too. I did this to a couple of vintage hats that I loved and I destroyed them. Now I either wear modern hats or bespoke hats - ones that I can actually replace. But I hardly wear my vintage lids because I want them to survive.
Meanwhile my Akubras and bespokes become saltier and full of character and I am loving them more and more. And once they get degraded far enough, I retire them and start again with new ones.
My conclusion: the only thing about any clothing item that makes it superior is if you love wearing it.
I'm still working on that couple of hundred! Waiting now on a 1940s Royal Deluxe Stetson. I also just added my first Akubra Squatter to the collection.And that, my friends, is why you need a couple hundred vintage hats. Gotta spread out the wear as widely as possible.![]()
And as if on cue, @alanfgag uncorks a beauty of a 75 y.o. western Borsalino with a curled brim. Hopefully he posts here on the Lounge, as well (hint, hint).It was about 14 years ago.
I have restored Borsalino hats from the 1930's and 1940's. They were very much mass produced hats. But the level of artistry/craftmanship on the sewing was staggeringly good. I could live 3 lifetimes as a hatter and not approach that level of beauty in my stitching. Also, the workers who curled the brims, pencil and D'Orsay, were the top of the food chain in production. They were often the highest paid workers on the line. That is pretty much all they did was curl brims so they became very very good at it. Back in that day mass produced was not the pejorative that it is today.
I'm still working on that couple of hundred! Waiting now on a 1940s Royal Deluxe Stetson. I also just added my first Akubra Squatter to the collection.
To be fair, I can only keep about three hats with me on the truck at a time: usually I go with one Akubra, one bespoke and one vintage. I stay out for 6-8 weeks before coming home for a week and by far the Akubras get the most wear. The vintage get the least. I trade them out for a new team when I get home.
So my experience is a bit unique.
I only started down this road a few months ago and do not have a lot of knowledge or experience. What I can say is that any hat I have purchased or will purchase is meant to be worn. If that means that unfortunately a vintage hat doesn’t last me more than a couple of years, so be it. I don’t believe in having any “safe queens”. Enjoy your hats out in the world, where everyone else can appreciate them too.
I should dig out mine. It is a beater, about 50 years old but very similar.And as if on cue, @alanfgag uncorks a beauty of a 75 y.o. western Borsalino with a curled brim. Hopefully he posts here on the Lounge, as well (hint, hint).
That hat is absolutely beautiful!!And as if on cue, @alanfgag uncorks a beauty of a 75 y.o. western Borsalino with a curled brim. Hopefully he posts here on the Lounge, as well (hint, hint).
Yep, that is my solution.And that, my friends, is why you need a couple hundred vintage hats. Gotta spread out the wear as widely as possible.![]()
John Lofgren Monkey Boots Shinki Horsebuttt - $1,136 The classic monkey boot silhouette in an incredibly rich Shinki russet horse leather.
Grant Stone Diesel Boot Dark Olive Chromexcel - $395 Goodyear welted, Horween Chromexcel, classic good looks.
Schott 568 Vandals Jacket - $1,250 The classic Perfecto motorcycle jacket, in a very special limited-edition Schott double rider style.