LizzieMaine
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I've been spending the past couple of days going thru the new DVD collection of classic Walter Lantz cartoons -- over 75 of them, including a chronological collection of all the Woodpecker shorts from 1940 to 1952, the classic "Crazy Woody" era, and I'd forgotten how good these shorts can be. The Lantz cartoons have never gotten the attention of the Warner, Disney, or MGM product, and they've gotten very little TV exposure over the past twenty years or so. But for my generation, they were regular and constant after-school TV fare, and it's great to see them again, looking better than ever. I'm especially glad to see several of the black and white 1930's Oswald The Lucky Rabbit shorts included on the set, with wild, rubbery, more exaggerated even than Fleischer animation. (The 1933 short "Confidence," a Depression-era propaganda piece, features the only singing-dancing FDR caricature I've ever come across in a cartoon!)
Another thing that strikes me in watching these shorts is how good the music scores are. Most of the Lantz scores of the '40s were done by Darrell Calker, a Hollywood sideman who had a lot of connections in the jazz world, and he tended to emphasize swing much more than Carl Stalling at Warners or Scott Bradley at MGM. The Lantz "Swing Symphonies" series -- well represented on the DVD set -- may be the best musical cartoons of the '40s, often featuring top name soloists and equally hot animation. They may lack the technical polish of the bigger studios' product, but they're definitely overdue for rediscovery. Hopefully this set will be the first of many!
Another thing that strikes me in watching these shorts is how good the music scores are. Most of the Lantz scores of the '40s were done by Darrell Calker, a Hollywood sideman who had a lot of connections in the jazz world, and he tended to emphasize swing much more than Carl Stalling at Warners or Scott Bradley at MGM. The Lantz "Swing Symphonies" series -- well represented on the DVD set -- may be the best musical cartoons of the '40s, often featuring top name soloists and equally hot animation. They may lack the technical polish of the bigger studios' product, but they're definitely overdue for rediscovery. Hopefully this set will be the first of many!