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Violinist in the Metro

Messages
11,579
Location
Covina, Califonia 91722
It the past such as the great Depression and during World War II, it was found that entertainment during these times of social stress were of great importance. Film, literary arts. painting and photography all were used to bring a sense of hope to the the citiens of this country and abroad. Music can stand alone as one of the most powerful of the arts and was a powerfully ally to bolster the confidence of the people. For some music became their church or their friend.

Have the attitudes of today been shaped so far from those of our parents and grandparents some 60 plus years ago that in the midst of crisis we can longer hear the music in our day to day lives?

From The Effective Club:

"A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousand of people went through the station, most of them on their way to work.

Three minutes went by and a middle aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule.

A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping continued to walk.

A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist. Finally the mother pushed hard and the child continued to walk turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

No one knew this but the violinist was Joshua Bell, one of the best musicians in the world. He played one of the most intricate pieces ever written with a violin worth 3.5 million dollars.

Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston and the seats average $100."

This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of an social experiment about perception, taste and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?

One of the possible conclusions from this experience could be: If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing? Would this have happened during the Golden Era? If not, what has changed?
 

dhermann1

I'll Lock Up
Messages
9,154
Location
Da Bronx, NY, USA
Yes, I remember this. Living in New York, I see great street musicians all the time. The smart ones find themselves a good spot to play. This guy couldn't have picked a worse spot to perch himself, a spot where people were sweeping past on their way to their trains. I found the whole story just an exercise in egotism.
 

Dinerman

Super Moderator
Bartender
Messages
10,562
Location
Bozeman, MT
Reading the article, I'm not surprised that metro didn't allow him into the stations. They're very strict about all their policies, from no busking in the stations to no french fries on the trains.

What a crazy place Washington can be.
 

dhermann1

I'll Lock Up
Messages
9,154
Location
Da Bronx, NY, USA
The New York subway system is full of great musicians. The MTA even has a program that supports them in many stations. There's everything from steel drums, to conga players, to full scale jazz combos (I've seen ten piece bands playing at 125th St in Harlem), as well as all sorts of classical, South American, Mexican, and even Chinese.
Great stuff everywhere. New Yorkers are used to this and always seem to appreciate the good ones.
 

VintageRed

Familiar Face
Messages
99
Location
NYC
This story sends a good message I think.

I too live in NYC and whenever my 6 year old son stops to watch a street performer or listen to a musician, subway or street level, we ALL stop. I love music; I played musical instruments growing up and I try to encourage my child to have an appreciation for someone's talent, no matter how big, small or where they're performing at.

However, I'm sure I miss many beautiful things in the course of a busy day, so I will keep this story with me and try to remember it.

Thank you for sharing!

~D. :)
 
Messages
11,579
Location
Covina, Califonia 91722
Dinerman said:
Reading the article, I'm not surprised that metro didn't allow him into the stations. They're very strict about all their policies, from no busking in the stations to no french fries on the trains.
*********
Maybe the newspaper that "sponsored" it was able to get permission from the transit authority.
 

Dinerman

Super Moderator
Bartender
Messages
10,562
Location
Bozeman, MT
John in Covina said:
*********
Maybe the newspaper that "sponsored" it was able to get permission from the transit authority.

What I read said they had him set up outside one of the stations at the top of the escalator.
 

rmrdaddy

One Too Many
Messages
1,217
Location
South Jersey
Well, I've seen Joshua Bell in person. The Stradivarius that he played at that time is known as the Tom Taylor. It was a Halloween show at the Academy of Music in Philadelphia.
In 2001 he was able to acquire the Gibson Stradivarius, which was the infamous instrument stolen from the Polish violinist Bronislaw Huberman in February of 1936 at Carnegie Hall. It was missing for over 50 years...

My point is that a Strad puts out a sound that is virutally unspeakably beautiful, especially in the hands of a master. this experiment to me speaks of the degradation of our society and it's ability to appreciate culture and beauty. Busy station, rush hour, etc... duly noted.
Quite a shame in any case....
 
Messages
11,579
Location
Covina, Califonia 91722
For myself, I am one of those people that has a block to learning to play an instrument, so I look at those that can play with enthusiasm. Live music is a marvel and a blessing to behold. I find that even styles of music I am not enamored with take on a whole new outlook when played live. So I find that I am a little more likely to stop a moment to listen in situations like this.

I went to an evening Epiphany Service this week down in Orange, Ca at the LCMS church there. They had the Concordia Seminary (Ft. Wayne) men's choral group (Kontorai?) there and the singing was marvelous. That we got to sing with them was a joy. Music is blessing.
 

Harp

I'll Lock Up
Messages
8,508
Location
Chicago, IL US
John in Covina said:
This is from a while back, but it poses the important question at the end.

From The Effective Club

A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes...


A Bach violin concert would have stopped me. :eusa_clap
And if Nadja Salerno-Sonnenberg was playing, I would have asked
her to dinner. :)
 

$ally

One Too Many
Messages
1,276
Location
AZ, USA
Musical tastes differ. People who have appointments to make on time, rush right past. It saddens me, but that's life in the hustle bustle big city. I'd have appreciated it. Why not give a free show somewhere I'm waiting in line, Mr Bell? [huh]
 

KittyT

I'll Lock Up
Messages
4,463
Location
Boston, MA
$ally said:
Musical tastes differ. People who have appointments to make on time, rush right past. It saddens me, but that's life in the hustle bustle big city. I'd have appreciated it. Why not give a free show somewhere I'm waiting in line, Mr Bell? [huh]

Great point. I wonder how he would have fared were it after work when, although still busy, people tend to have a little bit more leeway.
 

kyda

One of the Regulars
Messages
142
Location
Western Australia
Play it again

There is a man who play's his honky tonk piano in the big shopping center in the middle of Perth and he has be playing there for years. He always draws a big crowd and gets a fair sum of money.

Last year they interviewed on a Current Affairs program, he is a professional who has played all over the world and with the best Orchestras, has put out cd's. They asked him why he does it and his reply was simple " I enjoy bringing joy to people with a bit of music" and he has, every time that I have seen him play I go away feeling so much better, and if I am lucky I get to see him at the start of my shopping trip and at the end......... the money he gets from busking is donated to charity.
 

Josephine

One Too Many
Messages
1,634
Location
Northern Virginia
<a href="http://www.joshuabell.com/news/writer-gene-weingarten-explains-the-washington-post-joshua-bell-article">Here's the story</a> on Joshua's web site.

An interesting aside, the Washington Post writer who thought up the "experiment", Gene Weingarten, received a Pulitzer for Feature Writing for his articles on it. I find this part, taken from <a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/06/24/AR2008062401153.html">a follow up article</a> of Gene's, very funny:

The stunt, which I had ginned up, was judged to be completely groundbreaking. The rush of adulation from inside my profession was immediate and intoxicating; suffice it to say that at the Pulitzer ceremony in New York, a beautiful and talented young journalism student was clearly disappointed to learn I am married.

Quite pleased with myself, I returned home to find waiting for me an e-mail from a man named Paul Musgrave. Paul works in Yorba Linda, Calif., at the Richard Nixon Presidential Library, a fact that is irrelevant to this story except that, wafting as it does from the grave of the man The Washington Post did so much to destroy, it smells faintly but ominously of payback. Besides, as you will see, every last thing you are about to read, in some measure, relates to everything else.

Musgrave told me that he'd been scrolling through microfiche while researching an unrelated project when his eyes fell on a story in the Indianapolis Times from May 1930. It was a wire account of a remarkable thing that had just happened in Chicago. In a stunt ginned up by a newspaper named the Post -- the Chicago Evening Post -- violin virtuoso Jacques Gordon, a onetime child prodigy, performed for spare change on his priceless Stradivarius, incognito, for three-quarters of an hour outside a subway station. Most people hurried past, unheeding. The violinist made a few measly bucks and change. It was a story about artistic context, priorities and the soul-numbing gallop of modernity.


lol
 

Viola

Call Me a Cab
Messages
2,469
Location
NSW, AUS
Even simpler than time, my mom always had a great sympathy for the majority of street-corner and subway musicians, many of whom are homeless or close to it, and she told me very seriously when I was young but old enough to be out on my own during the day (so like 11, 12) that I should not stand there and expect them to entertain me all day w/o giving them some money, that "they're working too, as best they can" and as a student I got in the habit of either staying and giving a dollar IF I HAD A DOLLAR, or moving right along with not much more than a friendly expression.

Plenty of times in the subway I didn't have a dollar, or I gave it to "my" street musicians, the blind lady I saw often, or whatever.

I dunno. I think there may be more here than a lack of appreciation for good music.
 

$ally

One Too Many
Messages
1,276
Location
AZ, USA
Josephine said:
Musgrave told me that he'd been scrolling through microfiche while researching an unrelated project when his eyes fell on a story in the Indianapolis Times from May 1930. It was a wire account of a remarkable thing that had just happened in Chicago. In a stunt ginned up by a newspaper named the Post -- the Chicago Evening Post -- violin virtuoso Jacques Gordon, a onetime child prodigy, performed for spare change on his priceless Stradivarius, incognito, for three-quarters of an hour outside a subway station. Most people hurried past, unheeding. The violinist made a few measly bucks and change. It was a story about artistic context, priorities and the soul-numbing gallop of modernity. [/I]
Dang that's funny, I hadn't heard of that. Not such an original idea then.
 

Josephine

One Too Many
Messages
1,634
Location
Northern Virginia
$ally said:
Dang that's funny, I hadn't heard of that. Not such an original idea then.

Nope. :) More from that article:

...the Evening Post's story -- the brainchild of Michael W. Straus, the paper's brash young city editor -- was a one-day minor curiosity. Mine, kept alive and aloft by the might of the Web, went global.

I'm sitting here looking at my Pulitzer Prize, which is awarded in part for "originality," and I'm laughing. Is ignorance a defense? Is there a statute of limitations on originality? Is 77 years okay? Mostly, I'm thinking that around the year 2085, a writer -- someone who hasn't been born yet -- is going to wake up one day with this really terrific idea ...


Gene and Joshua did it near 2 years ago (4/2007), and by the might of the internet, their story is still being kept alive and and aloft.
 

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