Dr H
Call Me a Cab
- Messages
- 2,007
- Location
- Somerset, UK
I recently bought a tweed jacket made by Nigel Cabourn. It’s a limited edition based on an original worn by Edward Atkinson, the surgeon on the ill-fated Scott expedition to the South Pole in 1912.
I really like this pattern: typically Edwardian with narrow lapels, slight waist, fixed half belt, and full skirt and rear vents. Four button fastening (with a fifth reversed to close the front in poor weather and a throat clasp). Two patch pockets to the chest with horn button closure and two flapped pockets to the waist. Four button functional cuffs with leather backing, lined sleeves, piped hems, vintage old stock lining.
The attention to detail is superb and it’s a high quality garment-the horn buttons are beautifully cut. It’s hard to capture the depth of colours in the cloth: a two-tone grey background with a narrow herringbone in mid brown and a vertical red selvedge. A really subtle combination and the finish really looks vintage, although it was commissioned and woven specifically for this project. It’s a medium weight tweed (the jacket weighs around 1kg), but a really good insulator so it’s very wearable.
I also bought the corduroy version of the jacket, which is not labelled as a special edition, and I’ll compare the two in another post. It shares most of the features and construction, but it lacks some of the authentic features of the original (the vents, fifth button, throat clasp, Melton lining under the collar, and the half belt).
The sleeves are about 3/4” too long, but the functional (surgeons’ cuffs) make the alteration tricky, so the corduroy is being shortened at the crown of the sleeve by an excellent family of tailors that I found in Bristol. This is the dry run for the tweed if all goes well.
I really like this pattern: typically Edwardian with narrow lapels, slight waist, fixed half belt, and full skirt and rear vents. Four button fastening (with a fifth reversed to close the front in poor weather and a throat clasp). Two patch pockets to the chest with horn button closure and two flapped pockets to the waist. Four button functional cuffs with leather backing, lined sleeves, piped hems, vintage old stock lining.
The attention to detail is superb and it’s a high quality garment-the horn buttons are beautifully cut. It’s hard to capture the depth of colours in the cloth: a two-tone grey background with a narrow herringbone in mid brown and a vertical red selvedge. A really subtle combination and the finish really looks vintage, although it was commissioned and woven specifically for this project. It’s a medium weight tweed (the jacket weighs around 1kg), but a really good insulator so it’s very wearable.
I also bought the corduroy version of the jacket, which is not labelled as a special edition, and I’ll compare the two in another post. It shares most of the features and construction, but it lacks some of the authentic features of the original (the vents, fifth button, throat clasp, Melton lining under the collar, and the half belt).
The sleeves are about 3/4” too long, but the functional (surgeons’ cuffs) make the alteration tricky, so the corduroy is being shortened at the crown of the sleeve by an excellent family of tailors that I found in Bristol. This is the dry run for the tweed if all goes well.
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