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I always did like the look of a fedora with a trench coat. I guess that is why I like gumshoe flicks. There is something about the privite eye that makes for a good story. Is it the dark smokey little office or is the way both guys and dames are always looking for his help? Perhaps it is that tough guy attitude.
Actually I think it is all that....but it is that fine line that the privite detective must walk between hero and villian that is the most interesting. He walks right up to the edge and even dangles his toes over precariously. He tries to keep his balance...to keep from from falling over edge and becoming no different than the criminals that he hunts.
Phillip Marlowe is one of the classic sleuths. He has been played by several actors. There is no one guy that we associate with the character like we do for say, James Bond, Sherlock Holmes, Sam Spade or Dick Tracey.
I am in the process of watching a few Marlowe flicks:
Murder my Sweet (1944) with Dick Powell is a great noir detective flick. This one is my favorite so far even though it is very dark. I think the print the tape was made from was not good. It is gainy and contrasty (is that a word?) in a way that looks like it is due to the transfer rather than the original film. I hope they put this one on DVD.
Bogart did a fine job as usual in The Big Sleep (1946). I think it is one of Bogies better films. Having Becall in there was a big plus. It's a keeper.
That same year Robert Montgomery played Marlowe in the irriataing Lady in the Lake, where the camera is the detectives eyes. We only see him when he lookes in a mirror. (I really loath that POV style of story telling when it is used for the whole movie.)
I can't bring myself to rent The Long Goodbye (1973). Elliot Gould. Enough said.
Tomorrow I plan to watch Robert Mitchum play the wise-cracking tough guy in Farewell My Lovely (1975).
Stick around. I will let you know how it turns out.
Actually I think it is all that....but it is that fine line that the privite detective must walk between hero and villian that is the most interesting. He walks right up to the edge and even dangles his toes over precariously. He tries to keep his balance...to keep from from falling over edge and becoming no different than the criminals that he hunts.
Phillip Marlowe is one of the classic sleuths. He has been played by several actors. There is no one guy that we associate with the character like we do for say, James Bond, Sherlock Holmes, Sam Spade or Dick Tracey.
I am in the process of watching a few Marlowe flicks:
Murder my Sweet (1944) with Dick Powell is a great noir detective flick. This one is my favorite so far even though it is very dark. I think the print the tape was made from was not good. It is gainy and contrasty (is that a word?) in a way that looks like it is due to the transfer rather than the original film. I hope they put this one on DVD.
Bogart did a fine job as usual in The Big Sleep (1946). I think it is one of Bogies better films. Having Becall in there was a big plus. It's a keeper.
That same year Robert Montgomery played Marlowe in the irriataing Lady in the Lake, where the camera is the detectives eyes. We only see him when he lookes in a mirror. (I really loath that POV style of story telling when it is used for the whole movie.)
I can't bring myself to rent The Long Goodbye (1973). Elliot Gould. Enough said.
Tomorrow I plan to watch Robert Mitchum play the wise-cracking tough guy in Farewell My Lovely (1975).
Stick around. I will let you know how it turns out.