Did anyone else see the four films James Ellroy programmed for his day as guest programmer? They were:
Stakeout on Dope Street (1958)
Murder by Contract (1958)
The Line Up (1958)
Armored Car Robbery (1950)
The first is about a lost stash of Heroin and the boys who find it. It was directed by Irvin Kirshner who directed Empire Strikes Back almost 25 years later. Everything that was mildly interesting about the earlier film - use of real locations, talky, theatrical scenes of two or three characters in a room, one nice shot of a really big fist about to connect with a sweaty little face and a smash cut to a bowling ball coming up the chute - was left out of the later film.
Murder by Contract, Ellroy tried to argue, was about social/class climbers and ambitious yuppies. Maybe.
The Line Up was the real stuff. Directed by Don Seigel and featuring Emile Meyer, Eli Wallach (his debut) and Robert Keith (Brian's dad) it had everything a good noir needs, a pshychotic killer, his creepy right hand and their strange relationship, plodding though relentless cops, an organized criminal conspiracy, innocent victims caught up in events beyond their control, an interesting use of real (San Francisco) locations, a climactic car chase, and a Tommy Udo moment. This is a hard one to see as only bootleg dvds exist. Worth it.
The last film brings Narrow Margin's director and star together. Charles McGraw is after the slimy William Talman (the prosecutor in Perry Mason, but also the hitch-hiker in The Hitch-Hiker) for a robbery during which McGraw's parnter was killed. It's a good film, and, come on... Charles McGraw.
Ellroy on the TCM website
Stakeout on Dope Street (1958)
Murder by Contract (1958)
The Line Up (1958)
Armored Car Robbery (1950)
The first is about a lost stash of Heroin and the boys who find it. It was directed by Irvin Kirshner who directed Empire Strikes Back almost 25 years later. Everything that was mildly interesting about the earlier film - use of real locations, talky, theatrical scenes of two or three characters in a room, one nice shot of a really big fist about to connect with a sweaty little face and a smash cut to a bowling ball coming up the chute - was left out of the later film.
Murder by Contract, Ellroy tried to argue, was about social/class climbers and ambitious yuppies. Maybe.
The Line Up was the real stuff. Directed by Don Seigel and featuring Emile Meyer, Eli Wallach (his debut) and Robert Keith (Brian's dad) it had everything a good noir needs, a pshychotic killer, his creepy right hand and their strange relationship, plodding though relentless cops, an organized criminal conspiracy, innocent victims caught up in events beyond their control, an interesting use of real (San Francisco) locations, a climactic car chase, and a Tommy Udo moment. This is a hard one to see as only bootleg dvds exist. Worth it.
The last film brings Narrow Margin's director and star together. Charles McGraw is after the slimy William Talman (the prosecutor in Perry Mason, but also the hitch-hiker in The Hitch-Hiker) for a robbery during which McGraw's parnter was killed. It's a good film, and, come on... Charles McGraw.
Ellroy on the TCM website